“BUSTER” BAILEY, 1996 JOHN BECK, 1999 REMO BELLI, 1986 LOUIE BELLSON, 1978 WARREN BENSON, 2003 JAMES BLADES, 1975 MICHAEL BOOKSPAN, 2003 CARROLL BRATMAN, 1984 HARRY BREUER, 1980 GARY BURTON, 1988 JOHN CAGE, 1982 JOE CALATO, 2001 JIM CHAPIN, 1995 VIDA CHENOWETH, 1994 BOBBY CHRISTIAN, 1989 MICHAEL COLGRASS, 1987 ALAN DAWSON, 1996 JOHN CALHOUN (J.C.) DEAGAN, 1999 CLOYD DUFF, 1977 SIEGFRIED FINK, 2003 VIC FIRTH, 1995 ALFRED FRIESE, 1978 GEORGE GABER, 1995 TERRY GIBBS, 2000 BILLY GLADSTONE, 1978 MORRIS GOLDENBERG, 1974 SAUL GOODMAN, 1972 GEORGE HAMILTON GREEN, 1983 LIONEL HAMPTON, 1984 HASKELL HARR, 1972 LOU HARRISON, 1985 ROY HAYNES, 1998 SAMMY HERMAN, 1994 FRED D. PERCUSSIVE ARTS SOCIETY HALL OF FAME (YEAR SPECIfiES DATE OF INDUCTION) KEIKO ABE, 1993 ALAN ABEL, 1998 HENRY ADLER, 1988 FRANK ARSENAULT, 1975 ELDEN C. PAS MUSEUM Director of Public Relations James Lambert, Cameron University, Lawton, OK PAS HISTORIANS Lisa Rogers, Texas Tech University, Lubbock, TX James Strain, Northern Michigan University, Marquette, MI PASIC HOST George Barrett, PASIC 2004, Nashville, TN-Nov. Jeff Hartsough Katherine Leidy Otice Sircy Rick Mattingly Hillary Henry Ferra Briscoe Christa Riley Paula Thomas Mail Clerk Danny Mendonsa Intern Brian Zeglis PAS STAFF Executive Director Director of Event Production & Marketing Marketing Director Museum Curator/Librarian Publications Editor Graphic Designer Financial Manager Administrative Assistant
KASTUCK PERCUSSION STUDIO INC. PRO
Beck/North Carolina School of the Arts, Winston-Salem, NC Gregg Bissonette/Westlake Village, CA Ruth Cahn/Eastman School of Music, Rochester, NY Peter Erskine/Santa Monica, CA David Eyler/Concordia College, Moorhead, MN, Fargo-Moorhead Symphony Orchestra Vic Firth/Vic Firth, Inc., Dedham, MA Neil Grover/Grover Pro Percussion, Inc., Woburn, MA Steve Houghton/Indiana University, Bloomington, IN James Lambert/Cameron University, Lawton, OK Arthur Lipner/Wilton, CT Frederic Macarez/Orchestre de Paris, Conservatoire Superieur de Paris - CNR, Paris, France William Moersch/University of Illinois, Urbana, IL Lisa Rogers/Texas Tech University School of Music, Lubbock, TX Ney Rosauro/University of Miami, Coral Gables, FL/ Santa Maria, Brazil David Samuels/Fairfield, CT Ed Shaughnessy/Calabasas, CA Kristen Shiner McGuire/Nazareth College, Rochester, NY Ed Thigpen/Action Reaction, Copenhagen, Denmark Norman Weinberg/University of Arizona, Tucson, AZ Andy Zildjian/Sabian, Ltd., Meductic, NB Canada COUNCIL OF PAST PRESIDENTS Robert Breithaupt, 1999–2000 Genaro Gonzalez, 1997–98 Garwood Whaley, 1993–96 Robert Schietroma, 1991–92 John Beck, 1987–90 Thomas Siwe, 1984–86 Larry Vanlandingham, 1982–84 James Petercsak, 1978–81 Gary Olmstead, 1973–77 Sandy Feldstein, 1968–72 Gordon Peters, 1964–67 Donald Canedy, 1961–63 Adams/Pittsburgh, PA Anders Åstrand/Stockholm, Sweden George Barrett/Innovative Percussion, Nashville, TN John R. PERCUSSIVE ARTS SOCIETY PAS BOARD OF DIRECTORS EXECUTIVE COMMITTEE President Mark Ford University of North Texas, Denton, TX President-elect Rich Holly Northern Illinois University, Dekalb, IL Vice President Gary Cook University of Arizona, Tucson, AZ Secretary Steve Beck Pro-Mark Corporation, Houston, TX Treasurer Mike Balter Mike Balter Mallets, Prospect Heights, IL Immediate Past President James Campbell University of Kentucky, Lexington, KY Executive Director Michael Kenyon DIRECTORS Timothy K. RESEARCH 60 Development of the Orchestral Snare Drum in the United States BY JAYSON DOBNEY HEALTH AND WELLNESS 56 Trunk and Shoulder Involvement in Playing Drums TECHNOLOGY 54 Technology in the Teaching Studio
KEYBOARD 38 Building a Strong One-Handed RollĤ6 Practice Room Ragtime Etude BY GEORGE HAMILTON GREENĥ2 Terms Used in Percussion Hindemith, Puccini, Poulenc, Web Threads New Percussion Literature and Recordings Historically Speaking By Tuck of Drum From the PAS Museum Collection Deagan Steel Marimbaphone, Model 7015 Six Steps to Better-Sounding Bass Drums, page 24Ģ7 Practice Room “Swingville” for Multi-Tenors BY CHRIS CROCKARELLģ0 Preservation and Presentation of African Music and Dance BY DORIS GREENĮDUCATION 36 Three Steps for Learning a New Pieceĭevelopment of the Orchestral Snare Drum in the United States, page 60 MARCHING 24 Six Steps to Better-Sounding Bass Drums | 12 The Magic of Escola Didá Social Reform for Women and Children in BrazilĢ2 Practice Room Philly Joe Jones’ 4-Bar Breaks on “Billy Boy” TRANSCRIBED BY JOE LA BARBERA The journal of the Percussive Arts Society Percussive Notes Cover Photo by Paula Melissa
Second-Line Grooves Muffling Marching Bass Drums One-Handed Marimba Rolls Percussive Notes Escola Didá The journal of the Percussive Arts Society Percussive Notes The journal of the Percussive Arts Society
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